magical<br> D Kurd 9 - 16

With a powerful and deep sound, the Magical Handpans stand for sensuality. They symbolically imply the feminine in their form and subtle vibrations. Their magical sound field is characterized by very stable tones.
Every single handpan is carefully crafted with attention to detail. As perfectly balanced musical instruments, they are brought into optimal form and harmony. The Magical Handpans are robust and at the same time noble in their delicacy.
This handpan has its origins in Spain. A huge pressing machine supplies the raw material for a group of local manufacturers, in which the hemispherical basic shape is stamped on the highest-quality steel shells. Joint optimization always guarantees the best quality. Manual hammer power brings the Magical Handpans to their sound excellence with beat for beat.

Mood designation : Kurd
Synonyms : Aeolian / with root C# = Annaziska
Basic tone sequence (8+1): D/ A Bb CDEFGA
Effect : Warm - Mysterious - Dreamy
Tone Stock: Heptatonic

Mode :
Phrygian (tonal center 1st note) = major, or
aeolian (tonal center : thing) = minor

Semitones : 7 - 1 - 2 - 2 - 2 - 3 - 2 - 2
Tonal center : DING or first tone

mood description:

The Kurd tuning is, if you will, the natural minor variant of the handpan tuning. Due to its particularly harmonious combination of notes, it is particularly suitable for beginners. With them you can play everything from calm and meditative to melancholic to powerful and cheerful.

Even if this mood can sound very sentimental, you can create happy sound patterns with it. For example, there is a major triad on the second and third notes. Just be aware that the second and third notes played at the same time will be rubbing, you can of course also use this tension consciously to spice up your playing so that the relaxation can have a stronger effect afterwards. 

This tuning is one of the first seven-note tunings that were built and has become very popular through some videos on the internet.

Possible tone sequence examples:

Basic tone sequence with 9 notes: D/ A Bb CDEFGA

Tone sequence with 10 notes: D/ A Bb CDEFGAC

Tone sequence with 11 notes: D/ A Bb CDEFGA (CD)

Tone sequence with 12 notes: D/ (G) A Bb CDEFGA (CD)

Tone sequence with 13 notes: D/ (FG) A Bb CDEFGA (CD)

Tone sequence with 14 notes: D/ (FG) A Bb CDEFGA (CDE)

Tone sequence with 15 notes: D/ (EFG) A Bb CDEFGA (CDE)

16-note tone sequence: D/ (EFG) A Bb CDEFGA (CDEF)

*Notes in brackets are "Bottomnotes" (notes on the bottom of the handpan)
On request, these can also be built with other grades than specified. Simply write an email with your request to: service@handpan.world




Origin and music theory of the Kurd tuning:

Kurd adopts the name of the Arabic/Turkish maqam Kurd. This selection of tones also shares the arrangement of the tones with this maqam, assuming that the tonal center is on the first tone in the circle. This is how the full Phrygian mode is created, which is characterized by a semitone step from the root to the second tone of the scale and is responsible for the mysterious sound of the scale.

However, an ambivalence remains, as the DING is a fifth below the first tone and thus appears as a second tonal center, which allows the mode to change to Aeolian (natural minor). Depending on how you play, you can switch between natural minor and Phrygian sound character. With Kurd , everything can be played in a variety of ways, from calm and meditative to melancholic to powerful and happy.

Kurd shares with other minor variations (cf. Celtic Minor/ Integral) the jump from a fifth from DING to the first note. From this fifth degree, assuming that the tonal center is the THING, one has all the steps of a natural minor scale (Aeolian). What is special about Kurd is the semitone step between the first and second tone. This step is also present in the Maqam Kurd (Arabic or Turkish scale system) of the same name (cf. Semai Kurd), but also in the Phrygian mode. The Phrygian mode is used in jazz, psychedelic rock, flamenco and fado, but also in classical music. 

Matching Moods:
Very well suited for playing together, improvisatively:

• F Sabye (parallel key)
• F major (parallel key)
• D Celtic Minor / Amara
• G Celtic Minor / Amara
• D Aeolian
• Bb Aegean
• D equinox
• D Magic Voyage
• D integral
• D Pygmy

Also good for composing together:

• A Celtic Minor / Amara
• A Hijaz
• C Kurd
• C Celtic Minor / Amara
• F Ragadesh